Masters of Health Magazine March 2025 | Page 109

Solfeggio Tones

Jill Mattson

A number pattern was encoded in the Old Testament. The same pattern was used in the Hawthor Temple at Dendera in ancient Egypt. The numbers correlate to cycles per second of sound waves and were used musically. These tones formed a musical scale within the Catholic Church during the Middle Ages, called the solfeggio scale. Recently, the solfeggio tones have enjoyed popularity in some circles as healing tones. These frequencies are garnishing attention as people report positive life changes after listening to them. This frequency pattern has survived a long time.

We shall delve deeper into the solfeggio frequency matrix, its purposes and history. We will explore personal benefits of the solfeggio frequencies, ranging from supporting the ascension process to making personal life adjustments.

History

Shekina Rose, a channeler, reported that the solfeggio tones were the “original sound code frequencies of creation” used by the ancient Egyptians, Hawthors, in Lemuria and Atlantis and in the Gregorian chants.

Some kings’ chambers in Egyptian pyramids resonate to one of the solfeggio tones.[1] Secret writings revealed that initiates conducted out-of-body meditations in these ideal vibratory spots.

The solfeggio tones are associated with the Essenes, [2] an esoteric sect of Judaism. Many believe that Jesus and Moses belonged to this mysterious sect that was annihilated in 70 AD. Nancy Lazaryan, and associate of Hutchinson, connected the dots between the Essenes and the solfeggio tones (which she called “healing streams of sound”).  “The inspiration for these harmonics (the solfeggio tones) comes from the Essenes, a sect of Israelites which included Jesus as a member. This ‘inner circle’ taught about the ‘stream of sound,’ the harmonics of the Creator.”[3]

Sekina Rose elaborated on the power of the solfeggio tones, “Just as many of your sacred texts have been hidden to keep you from having the holy power of God and the universe, so was the original musical scale of Creation. This was done so that the general population would be denied access to their true birthright – the divine original blueprint. These codes of the creator keep active and by vibrating your cells of God they can create a world filled with peace and love where the power elite would not have control.”[4]

Sekina Rose testified that heavenly beings that she channeled referred to these frequencies as the “Language of Light.” She also described benefits of these magical frequencies. “These tones restore balance and healing to life. They also transmute damaged DNA, toxins, pollutions and negativity to natural divine order of harmony and to source creation.”[5]

Shekina instructed that by singing and listening to  the solfeggio tones, we become more proficient at using them. We then can transfer these transmissions of light through our hands and entire beingness.

Horowitz and Puleo found the solfeggio frequencies encoded in verses in Numbers 7:12 - 89 in the Bible.[6] These numbers were converted to tones. Horowitz and Puleo associated them with a solfeggio scale used in the Middle Ages.

 

Many secrets of the Bible were plainly preserved in numbering patterns, and not just this passage. There are many secret codes within numeric patterns in a broad range of religious texts.  For example, Michael Hayes revealed that the numerical organization of the ancient I Ching reflects the organization of amino acids in DNA.[7]

               

In the Old Testament the content of Numbers 7:12 - 89, a seemingly unimportant text, is divided into mundane activities that occurred on different days. To get the solfeggio tones the Pythagorean skein[8] is applied to the numbers of the associated verses on the different days. For example, verse 12 describes activities that occurred on the first day. Verse 12 has a Pythagorean skein of 12 or 1 +2 = 3. The second day starts on verse 18 or 1 + 8 = 9. The third day is located on verse 24 or 2 + 4 = 6. The first set of numbers in the solfeggio code is composed from combining the Pythagorean skeins, resulting in 396. When applying the same process to the rest of the chapter the following set of numbers emerge:

Solfeggio Scale

396

417

528

639

741

852

 

Notice the numerical pattern in the ones, tens and hundreds column. Each column includes sequential numbers in between 1 – 9.