"The Universal Language of Nature is Music at its Core"
~ Jill Mattson
Bathe in crystalline frequencies dancing in mesmerizing music. Absorb enchanting music embedded with frequencies of uplifting emotions, a dozen flower essences, and twelve crystals!
The flower music, inspired by exquisite feelings received from the glory of the flower kingdom, delights you with positive emotions - a yummy and transforming state of consciousness. With enough listening repeats, make a habit of these energetic states, slowly changing your energies to that of a powerful and evolved person. Feel & Heal! Arise!
The crystal music transports to you to the crystal & fairy realms! Revel in the magic & mysteries of fairies and the wonderful world and power of crystals. Also enjoy musical guest appearances from the water world: whales, dolphins, and giant turtles!
When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent it landed on the platform.
Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 meters long and 250 meters high. From time to time a stone split, and the monks moved the split stones away. Quite an unbelievable task.
Dr. Jarl knew about the hurling of the stones. Tibetan experts like Linaver, Spalding and Hue had spoken about it, but they had never seen it. So Dr. Jarl was the first foreigner who had the opportunity to see this remarkable spectacle. Because he had the opinion in the beginning that he was the victim of mass–psychosis he made two films of the incident. The films showed exactly the same things that he had witnessed.
The English Society for which Dr. Jarl was working confiscated the two films and declared them classified. They will not be released until 1990. This action is rather hard to explain, or understand. : End of translation."
The fact that the films were immediately classified is not very hard to understand once the given measurements are transposed into their geometric equivalents. It then becomes evident that the monks in Tibet are fully conversant with the laws governing the structure of matter, which the scientists in the modern day western world are now frantically exploring. It appears, from the calculations, that the prayers being chanted by the monks did not have any direct bearing on the fact that the stones were levitated from the ground.
The reaction was not initiated by the religious fervor of the group, but by the superior scientific knowledge held by the high priests. The secret is in the geometric placement of the musical instruments in relation to the stones to be levitated, and the harmonic tuning of the drums and trumpets. The combined loud chanting of the priests, using their voices at a certain pitch and rhythm most probably adds to the combined effect, but the subject matter of the chant, 1 believe, would be of no consequence.
The sound waves being generated by the combination were directed in such a way that an anti–gravitational effect was created at the center of focus (position of the stones) and around the periphery, or the arc, of a third of a circle through which the stones moved.
If we analyze the diagram published with the original article, then compare it with the modified diagram, we become aware of the following coordinates, and the implications, when compared with my previously published works.
The distance between the stone block and the central pivot of the drum supports is shown as 63 meters. The large drums were said to be one and one half meters long, so the distance from the block to the rear face of each drum could be close to 63.75 meters considering that the pivot point would be near the center of balance. My theoretical analysis, by calculator, indicates that the exact distance would be 63.7079 meters for the optimum harmonic reaction.
By mathematical conversion we find that this value is equal to 206.2648062 geodetic feet, which is harmonically equal to the length of the Earth's radius in seconds of arc (relative to the Earth's surface) 206264.8062.
This also leads us to the following associations: (206.2648062 x 2) = 412.5296124.
This number squared: = 170180.68 which is the theoretical harmonic of mass at the Earth's surface.
The four rows of monks standing behind the instruments in a quarter circle added to the production of sound by their loud chanting and must be taken in to account in regards to the geometric pattern. If we assume that they were standing approximately two feet apart, we can add a calculated value of 8.08865 geodetic feet to the radius of the complete group. This gives a maximum radius of: 214.3534583 geodetic feet.
The circumference of a complete circle with this radius would be: 1346.822499 geodetic feet. Which is a half harmonic of:2693.645 (unified field) The distance from the stone block to a calculated point within the cliff face and the height of the ledge on the cliff face from ground level is given as 250metres. If we can now imagine that the raised stone blocks pass through a quarter arc of a circle during their flight from ground level to the hole in the cliff face, then the pivot point of the radius would be coincident with this position. See diagram. The theoretical radius was found to be: 249.8767262 meters which very closely approximates the estimate. This converts to: 809.016999 geodetic feet. The diameter of the full circle would therefore be: 1618.034 geodetic feet.
A circle with this diameter has a circumference of 5083.203728 units, which can be divided into three even lengths of 1694.4. It therefore appears that the levitated blocks, once resonated to a certain frequency, would tend to carry out a flight path that is coincident to one third of a circle. The spatial distance was equivalent to the mass harmonic at the center of a light field, 1694443.
The instruments used by the group, in theory, would also have been tuned to produce harmonic wave forms associated with the unified fields. The given measurements are in rounded off parts of a meter but in practice some slight variations from these measurements would be expected in order to create the appropriate resonating cavities within the instruments. The geometric arrangement and the number of instruments in the group would also be a most important factor.